350MC Working with Photography in Context – Bibliography and List of References

In this blog post, you will be able to find my Bibliography and the List of References that I used for my 350MC Working with Photography in Context (Symposium) module.

 


 

Bibliography:

Anderson, B. (1991) Imagined Communities. London: Verso

Ang, T. (2014) Photography: The Definitive History. London: DK Publishing

Apel, D. (2002) Memory Effects: The Holocaust and the Art of Secondary Witnessing [online] New Jersey: Rutgers University Press. available from <https://books.google.co.uk/books?id=Nh-7jx2n4LgC&pg=PA148&lpg=PA148&dq=Meyer+Levin+and+Eric+Schwab&source=bl&ots=5GZIqMDzVw&sig=DzyZalCSqFge2Mq51Tq14q1t_gQ&hl=en&sa=X&ei=rsPEVLzuGKSW7AasyoHwBA&ved=0CCwQ6AEwAg#v=onepage&q=Meyer%20Levin%20and%20Eric%20Schwab&f=false> [20 January 2015]

Arnold, D. and Iversen, M. (2003) Art and Thought. London: Blackwells

Baer, U. (2005) Spectral Evidence: The Photography of Trauma. new edn. Cambridge: MIT Press

Barthes, R. (1982) Camera Lucida: Reflections on Photography. trans. by Howard, R. London: Cape

Bartlett, A. (2010) ‘Ambient Thinking: Or, Sweating over Theory’ M/C Journal [online] 13 (2) available from <http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/216> [4 December 2014]

Batchen, G. (ed.) (2009) Photography Degree Zero: Reflections on Roland Barthes’s Camera Lucida. Cambridge: MIT Press

Benjamin, W. (1992) Illuminations. new edn. tans. by Arendt, H. London: Fontana

Bergson, H. (1921) Matter and Memory. trans. by Paul, N. M. and Palmer, W. S. New York: Cosimo

Birksted, J. (e.d) (2000) Landscapes of Memory and Experience [online] available from <http://books.google.co.uk/booksid=4l__xVlqQ9oC&pg=PA10&lpg=PA10&dq=cultural+memory+of+landscapes&source=bl&ots=tX2OXzYHE9&sig=qWuZOMaaeGmiglPC0Mcx3jw5PKc&hl=en&sa=X&ei=t5kuVPDKNM7naoe0gJAI&ved=0CEwQ6AEwCDgK#v=onepage&q=cultural%20memory%20of%20landscapes&f=false> [6 October 2014]

Bishop, J. (2014) ‘The Evolution of Ann Chwatsky’s Photography’. Huffington Post [online] available from <http://www.huffingtonpost.com/jacqueline-bishop/the-evolution-of-ann-chwa_b_5466590.html?utm_hp_ref=arts&ir=Arts> [7 February 2015]

Bolt, B. (2000) ‘Shedding Light For The Matter’ Hypatia [online] 15 (2), 202-216. available from <http://onlinelibrary.wiley.com/doi/10.1111/j.1527-2001.2000.tb00323.x/abstract> [4 December 2014]

Bondi, L., Davidson, J., and Smith, M. (ed.) (2007) Emotional Geographies. Surrey: Ashgate Publishing Limited

Cherry, K. (n.d.) ‘What Is Memory?: An Overview of Memory and How it Works’. About Education [online] available from <http://psychology.about.com/od/cognitivepsychology/a/memory.htm> [7 February 2015]

Clarke, G. (1997) The Photograph. Oxford: Oxford University Press

Colby, G., Luvera, A., Iversen, M., Eaglestone, R., Pollard, J. and Broomberg, A. (2012) Death and the Contemporary: Death and Trauma [online] available from <http://backdoorbroadcasting.net/2012/12/death-and-the-contemporary-death-and-trauma/> [11 December 2014]

Coles, A. (ed.) (1996) The Optics of Walter Benjamin. vol. 3. London: Black Dog Publishing Ltd

Conger, C. (2008) How Amnesia Works [online] available from <http://science.howstuffworks.com/life/inside-the-mind/human-brain/amnesia1.htm> [20 January 2015]

Connerton, P. (2011) The Spirit of Mourning: History, Memory and the Body. New York: Cambridge University Press

Cotton, C. (2009) The Photograph as Contemporary Art. London: Thames & Hudson Ltd.

Crouch, D. (2010) ‘Flirting with Space: Thinking Landscape Relationally’ Cultural Geographies [online] 17 (1), 5-18. available from <http://cgj.sagepub.com/content/17/1/5.abstract> [4 December 2014]

Duncan, K. (2013) ‘Connecting with the Creator’. World Literature Today [online] 87 (2), 82-87. available from <http://web.b.ebscohost.com/ehost/detail/detail?sid=2476ccb7-b7ae-45d3-a4c8-aaa56ac54b34%40sessionmgr110&vid=0&hid=102&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=85912404> [6 October 2014]

Farr, I. (ed.) (2012) Memory: Documents of Contemporary Art. London: Whitechapel Gallery

Farrell, D. (2001) Innocent Landscapes: Sites of the Disappeared. Stockport: Dewi Lewis Publishing

Gardner, S. (1992) ‘The Nature and Source of Emotion’. In Psychoanalysis, Mind and Art: Perspectives on Richard Wollheim. ed. by Hopkins, J. New Jersey: Wiley-Blackwell, 35-54

Garry, M. and Gerrie, M. P. (2005) ‘When Photographs Create False Memories’ Current Directions in Psychological Science [online] 14 (6) 321-325. available from <http://www.mccc.edu/~jenningh/Courses/documents/PSY101_journalpacket_2008.pdf> [21 November 2014]

Gay, P. D. and Hall, S. (1996) Questions of Cultural Identity. London: Sage

Giblett, R. and Tolonen, J. (2012) Photography and Landscape [Coventry University e-bray] Bristol: Intellect Ltd. available from <http://site.ebrary.com/lib/coventry/detail.action?docID=10590962> [6 October 2014]

Giobet, D. (2006) ‘Finding Inspiration in Ordinary Landscapes’. PSA Journal [online] 72 (6), 22-25. available from <http://web.b.ebscohost.com/ehost/detail/detail?sid=ac3f5bd8-6dab-4887-8a15-a230a58d2fd9%40sessionmgr115&vid=0&hid=102&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=21023635> [6 October 2014]

Good Therapy (2012) ‘Preconscious’. GoodTherapy.org [online] available from <http://www.goodtherapy.org/blog/psychpedia/preconscious> [7 February 2015]

Groom, A. (ed.) (2013) Time: Documents of Contemporary Art. London: Whitechapel Gallery

Hirsch, M. (1997) Family Frames: Photography, Narrative and Postmemory. Cambridge: Harvard University Press

Hirsch, M. and Miller, N. K. (ed.) (2011) Rites of Return: Diaspora Poetics and the Poetics of Memory. New York: Columbia University Press

Hopkin, M. (2004) Link proved between senses and memory [online] available from <http://www.nature.com/news/2004/040531/full/news040524-12.html> [20 January 2015]

Iversen, M. (2007) Beyond Pleasure: Freud, Lacan, Barthes. Pennsylvania: Penn State University Press

Journal of the Association of Art Historians (1994) Psychoanalysis in Art History. 17 (3) Oxford: Blackwell Publishing

Jussim, E. and Lindquist-Cock, E. (1985) Landscape as Photograph. London: Yale University Press

Kahneman, D. (2010) The Riddle of Experience vs. Memory [online] available from <http://www.ted.com/talks/daniel_kahneman_the_riddle_of_experience_vs_memory?language=en> [12 December 2014]

Kracauer, S. (1969) History: The Last Things Before the Last. New York: Oxford University Press

Kuhn, A. (1995) Family Secrets: Acts of Memory and Imagination. London: Verso

Kuhn, A. and McAllister, K. E. (ed.) (2006) Locating Memory: Photographic Acts. vol. 4. New York: Berghahn Books

Loftus, E. (2013) The Fiction of Memory [online] available from <http://www.ted.com/talks/elizabeth_loftus_the_fiction_of_memory?language=en> [12 December 2014]

Macfarlane, R. (2012) Robert Macfarlane on Landscape and the Human Heart – IQ2 Talks [online] available from <https://www.youtube.com/watch?v=5q1IK-O5Ypg> [20 January 2015]

Marien, M. W. (2014) Photography: A Cultural History. 4th edn. Cambridge: Pearson

Mastin, L. (2010) ‘What is Memory?’. The Human Memory [online] available from <http://www.human-memory.net/intro_what.html> [7 February 2015]

McLeod, S. (2007) ‘Stages of Memory: Encoding, Storage and Retrieval’. SimplyPsychology [online] available from <http://www.simplypsychology.org/memory.html> [7 February 2015]

Merriam-Webster (n.d) Reverie [online] available from <http://www.merriam-webster.com/dictionary/reverie> [7 February 2015]

Mohs, R. C. (n.d.) ‘How Human Memory Works’. HowStuffWorks [online] available from <http://science.howstuffworks.com/life/inside-the-mind/human-brain/human-memory.htm> [29 December 2014]

Plumwood, V. (2006) ‘The Concept of a Cultural Landscape: Nature, Culture and Agency of the Land’ Ethics and the Environment [online] 11 (2) 115-150. available from <http://www.mv.helsinki.fi/home/mekoskim/Val%20Plumwood%20ENE%20Article.pdf> [26 January 2015]

Pollock, G. (2006) Psychoanalysis and the Image: Transdisciplinary Perspectives. Oxford: Blackwell Publishing

Proust, M. (1981) In Search of Lost Time: Swann’s Way, Within a Budding Grove (Part One). vol. 1. trans. by Scott, C. K. and Kilmartin, T. London: Everyman Publishers

Ricoeur, P. (2006) Memory, History, Forgetting. trans. by Blamey, K. and Pellauer, D. Chicago: The University of Chicago Press

Samuel, R. (1994) Theatres of Memory: Past and Present in Contemporary Culture. vol. 1. London: Verso

Schama, S. (1996) Landscape and Memory. London: Fontana

Sturken, M. and Cartwright, L. (2009) Practices of Looking: An Introduction to Visual Culture. New York: Oxford University Press

Taylor, J. (1994) A Dream of England: Landscape, Photography and the Tourist’s Imagination. Manchester: Manchester University Press

Taylor, K. (n.d.) Landscape and Memory: Cultural Landscapes, Intangible Values and Some Thoughts on Asia [online] available from <http://openarchive.icomos.org/139/1/77-wrVW-272.pdf> [6 October 2014]

Taylor, S., Colby, G., Luvera, A., Hunter, T., Hampson, R., Bate, D. and Brady, A. (2012) Death and the Contemporary: Death and Space [online] available from <http://backdoorbroadcasting.net/2012/10/death-and-the-contemporary-death-and-space/> [11 December 2014]

Trusty, L. (2009)’Landscape Photography’. PSA Journal [online] 75 (10), 32-34. available from <http://web.b.ebscohost.com/ehost/detail/detail?sid=9847e21f-2aba-45be-9cb0-e973dd6d3398%40sessionmgr113&vid=0&hid=102&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9h&AN=44751717> [6 October 2014]

Turkle, S. (2007) Evocative Objects: The Things We Think With [Coventry University e-bray] Cambridge: MIT Press. available from <http://site.ebrary.com/lib/coventry/detail.action?docID=10185586> [29 October 2014]

Veronesi, F. and Gemeinboeck, P. (2009) ‘Disembodied Landscapes’ Performance Research [online] 14 (4), 74-80. available from <https://www.academia.edu/205734/Disembodied_Landscapes> [4 December 2014]

Wade, J. (1984) Landscape Photography. London: Focal

Wells, L. (2009) Photography: A Critical Introduction. 4th edn. London: Routledge

Wells, L. (2011) International Library of Cultural Studies: Land Matters: Landscape Photography, Culture and Identity [Coventry University e-bray] London: I.B. Tauris. available from < http://site.ebrary.com/lib/coventry/detail.action?docID=10522041&p00=land+matters> [6 October 2014]

Wollheim, R. (1984) The Thread of Life. New Haven: Yale University Press

Yates, F. A. (1994) The Art of Memory. London: PIMLICO

 


 

List of References:

Bergson, H. (1921) Matter and Memory. New York: Cosimo

Bishop, J. (2014) ‘The Evolution of Ann Chwatsky’s Photography’. Huffington Post [online] available from <http://www.huffingtonpost.com/jacqueline-bishop/the-evolution-of-ann-chwa_b_5466590.html?utm_hp_ref=arts&ir=Arts> [7 February 2015]

Burgin, V. (2009) ‘Re-Reading Camera Lucida’. in Photography Degree Zero: Reflections on Roland Barthes’s Camera Lucida. ed. by Batchen, G. Cambridge: MIT Press, 31-46

Chwatsky, A. (2014) When I Was A Girl [online] available from <www.annchwatskyphoto.com/when-i-was-a-girl/> [29 December 2014]

Conger, C. (2008) How Amnesia Works [online] available from <http://science.howstuffworks.com/life/inside-the-mind/human-brain/amnesia1.htm> [20 January 2015]

Jones, O. (2007) ‘An Ecology of Emotion, Memory, Self and Landscape’. in Emotional Geographies. ed. by Davidson, J., Bondi, L., and Smith, M. Surrey: Ashgate Publishing Limited, 205-218

Levin, M. (1996) War Story [online] available from <http://www.mikaellevin.com/war_story.html> [29 December 2014]

McLeod, S. (2007) ‘Stages of Memory: Encoding, Storage and Retrieval’. SimplyPsychology [online] available from <http://www.simplypsychology.org/memory.html> [7 February 2015]

Merriam-Webster (n.d) Reverie [online] available from <http://www.merriam-webster.com/dictionary/reverie> [7 February 2015]

Mohs, R. C. (n.d.) ‘How Human Memory Works’. HowStuffWorks [online] available from <http://science.howstuffworks.com/life/inside-the-mind/human-brain/human-memory.htm> [29 December 2014]

Ricoeur, P. (2006) Memory, History, Forgetting. Chicago: The University of Chicago Press

Schama, S. (1996) Landscape and Memory. London: Fontana

Yates, F. A. (1994) The Art of Memory. London: PIMLICO

 

 

 

 

 

 

 

 

 

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